Brechainville

Informations

Code INSEE	88074
Code Postal	88350
Gentilé	Bréchainvillois(es)

🇫🇷

L'église Saint-Epvre de Brechainville

L'église Saint-Epvre de Brechainville par Rauenstein (CC BY-SA 3.0)

La mairie de Brechainville

La mairie de Brechainville par Rauenstein (CC BY-SA 3.0)

par Belgavox (CC BY-SA 2.5)

The main design of the mosaic is made up of interweaving semi-circles, half black, half white. These shapes are followed by a panel decorated with elegant acanthus foliage, then a second panel where different geometric shapes are combined. In the four corners of the central box are four animals in motion: two are of “exotic” origin (a panther and a tiger) and two are from the region (a bear or dog and a boar). They could signify the seasons or the games practiced at the amphitheatre. Of the central panel, only the left section remains in which two people are shown standing in discussion. The person on the left, stood under an awning of some sort and wearing a short tunic, carries a mask and is leaning on a staff. The second person, dressed in a long tunic, is shown as being three-quarters under an arcature; he holds his right hand towards his interlocutor. This panel represents for some a scene from latin comedy, for others it is a shepherd asking for a hearing from a priest of Apollo at the sanctuary’s portico entrance.

The main design of the mosaic is made up of interweaving semi-circles, half black, half white. These shapes are followed by a panel decorated with elegant acanthus foliage, then a second panel where different geometric shapes are combined. In the four corners of the central box are four animals in motion: two are of “exotic” origin (a panther and a tiger) and two are from the region (a bear or dog and a boar). They could signify the seasons or the games practiced at the amphitheatre. Of the central panel, only the left section remains in which two people are shown standing in discussion. The person on the left, stood under an awning of some sort and wearing a short tunic, carries a mask and is leaning on a staff. The second person, dressed in a long tunic, is shown as being three-quarters under an arcature; he holds his right hand towards his interlocutor. This panel represents for some a scene from latin comedy, for others it is a shepherd asking for a hearing from a priest of Apollo at the sanctuary’s portico entrance. par File Upload Bot (Magnus Manske) (CC BY-SA 2.0)

The main design of the mosaic is made up of interweaving semi-circles, half black, half white. These shapes are followed by a panel decorated with elegant acanthus foliage, then a second panel where different geometric shapes are combined. In the four corners of the central box are four animals in motion: two are of “exotic” origin (a panther and a tiger) and two are from the region (a bear or dog and a boar). They could signify the seasons or the games practiced at the amphitheatre. Of the central panel, only the left section remains in which two people are shown standing in discussion. The person on the left, stood under an awning of some sort and wearing a short tunic, carries a mask and is leaning on a staff. The second person, dressed in a long tunic, is shown as being three-quarters under an arcature; he holds his right hand towards his interlocutor. This panel represents for some a scene from latin comedy, for others it is a shepherd asking for a hearing from a priest of Apollo at the sanctuary’s portico entrance.

The main design of the mosaic is made up of interweaving semi-circles, half black, half white. These shapes are followed by a panel decorated with elegant acanthus foliage, then a second panel where different geometric shapes are combined. In the four corners of the central box are four animals in motion: two are of “exotic” origin (a panther and a tiger) and two are from the region (a bear or dog and a boar). They could signify the seasons or the games practiced at the amphitheatre. Of the central panel, only the left section remains in which two people are shown standing in discussion. The person on the left, stood under an awning of some sort and wearing a short tunic, carries a mask and is leaning on a staff. The second person, dressed in a long tunic, is shown as being three-quarters under an arcature; he holds his right hand towards his interlocutor. This panel represents for some a scene from latin comedy, for others it is a shepherd asking for a hearing from a priest of Apollo at the sanctuary’s portico entrance. par File Upload Bot (Magnus Manske) (CC BY-SA 2.0)

Mosaic in-situ (232 sq.m) of one of the basilica rooms, Roman Grand (Andesina), France

Mosaic in-situ (232 sq.m) of one of the basilica rooms, Roman Grand (Andesina), France par File Upload Bot (Magnus Manske) (CC BY-SA 2.0)

Mosaic in-situ (232 sq.m) of one of the basilica rooms, the apse area, Roman Grand (Andesina), France

Mosaic in-situ (232 sq.m) of one of the basilica rooms, the apse area, Roman Grand (Andesina), France par File Upload Bot (Magnus Manske) (CC BY-SA 2.0)

Mosaic in-situ (232 sq.m) of one of the basilica rooms, two strips mark the threshold, Roman Grand (Andesina), France

Mosaic in-situ (232 sq.m) of one of the basilica rooms, two strips mark the threshold, Roman Grand (Andesina), France par File Upload Bot (Magnus Manske) (CC BY-SA 2.0)

Of the central panel, only the left section remains in which two people are shown standing in discussion. The person on the left, stood under an awning of some sort and wearing a short tunic, carries a mask and is leaning on a staff. The second person, dressed in a long tunic, is shown as being three-quarters under an arcature; he holds his right hand towards his interlocutor. This panel represents for some a scene from latin comedy, for others it is a shepherd asking for a hearing from a priest of Apollo at the sanctuary’s portico entrance.

Of the central panel, only the left section remains in which two people are shown standing in discussion. The person on the left, stood under an awning of some sort and wearing a short tunic, carries a mask and is leaning on a staff. The second person, dressed in a long tunic, is shown as being three-quarters under an arcature; he holds his right hand towards his interlocutor. This panel represents for some a scene from latin comedy, for others it is a shepherd asking for a hearing from a priest of Apollo at the sanctuary’s portico entrance. par File Upload Bot (Magnus Manske) (CC BY-SA 2.0)

Central panel of the Basilica's Mosaic in-situ (232 sq.m), Grand (Andesina), France

Central panel of the Basilica's Mosaic in-situ (232 sq.m), Grand (Andesina), France par File Upload Bot (Magnus Manske) (CC BY-SA 2.0)

Addresse : 2 rue de l'Église
88350 Brechainville
Email : mairiebrechainville@wanadoo.fr
Téléphone : 03 29 06 67 23
Fax :
Horaires :
- Le Vendredi : 08:00:00 - 11:30:00